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An ecologically minded collection of essays in the vein of Rebecca Solnit and Susan Sontag, covering everything from the equipment of photography to the difficulties of perception itself.
In an age when most of us carry a device seemingly capable of freeze-framing the world, Benjamin Swett writes with refreshing clarity on the way of the true photographer.
Having photographed trees of Manhattan, Shaker dwellings, and the landscapes of upstate New York, award-winning photographer and writer Swett brings an ecological sensitivity to these expansive and profound meditations on how to document the world around us. Accompanied by nearly three dozen black-and-white photographs and illustrations, the essays in
In essays such as “The Picture Not Taken,” “The Beauty of the Camera,” and “My Father’s Green Album” Swett gives us a picture of photography over generations and how we can or should relate to the mechanical devices so often fetishized by those interested in the subject. In “What I wanted to Tell You About the Wind” we understand photography’s importance in understanding our place in larger environmental and social systems; and in “VR” and “Some Observations in the Galapagos” Swett challenges us to think through problems of perception and knowing central to the experience of photography, looking to the past and into our future for answers.
Poignant and deftly crafted,
About the author
Benjamin Swett is the author of Route 22 and New York City of Trees, which won the 2013 New York City Book Award for Photography. He teaches writing at the City College of New York and was named the Larry Lederman Photography Fellow at the New York Botanical Garden for 2024.
