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Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag," he has been called "the father of musical comedy." In
Yankee Doodle Dandy, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.
List of contents
- Foreword
- Acknowledgments
- About the Companion Website
- Introduction
- 1 The Flag-Waving Patriot
- 2 The Entertainer: Defining the Cohanesque
- 3 The Man Who Owned Broadway
- 4 The Irish American
- 5 The Celebrity
- 6 The "Great American Service" of Yankee Doodle Dandy
- Epilogue: Cohan's Legacies
- Notes
- Selected Bibliography
- Index
About the author
Elizabeth T. Craft is Assistant Professor of Music at the University of Utah.
Summary
Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway.
In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.
Additional text
Elizabeth T. Craft's Yankee Doodle Dandy... will be a revelation for the Cohan-curious with only a passing familiarity of George Michael Cohan's work (there are hundreds of songs beyond the rousers "Over Here," "You're a Grand Old Flag," and those named above) and his influence (his plays' songs were more integrated with the plot than others in his time). We admirers of well-built, rhyme-filled catchy musical theatre songs who admit to being Cohan junkies are glad to welcome anything new that's in this book and to welcome the Cohan-curious co-readers new to the fan club for the grandfather of Broadway.
