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This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first. Designed for use with
Understanding Post-Tonal Music by Miguel A. Roig-Francolí, this Anthology can also stand alone for study of the history and analysis of post-tonal music.
List of contents
1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from
Preludes, Book 1 (1910)
2. Claude Debussy, "Canope," no. 10 from
Preludes, Book II (1910-13)
3. Claude Debussy, "Sarabande," from
Pour le piano (1894-1901)
4. Igor Stravinsky (1882-1971), Introduction to Part I, from
The Rite of Spring (1913)
5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from
Forty-four Violin Duets (1931)
6. Béla Bartók, "Whole-tone Scale," no. 136 from
Mikrokosmos, vol. 5 (1932-39)
7. Béla Bartók, "Diminished Fifth," no. 101 from
Mikrokosmos, vol. 4 (1932-39)
8. Béla Bartók, "From the Island of Bali," no. 109 from
Mikrokosmos, vol. 4 (1932-39)
9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)
10. Anton Webern, Five Movements for String Quartet, op. 5, III (1909)
11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from
Book of the Hanging Gardens, op. 15 (1909)
12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from
Four Songs, op. 2 (1908-1909)
13. Igor Stravinsky (1882-1971),
Agnus Dei, from Mass (194-48)
14. Paul Hindemith (1895-1963), Interlude in G, from
Ludus tonalis (1942)
15. Paul Hindemith, "Vom Tode Mariä I," from
Das Marienleben (1923)
16. Charles Ives, "The Cage," from
114 Songs (1906)
17. Ruth Crawford Seeger (1901-1953),
Diaphonic Suite no. 4, III (1930)
18. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from
Quaderno musicale di Annalibera (1952-53)
19. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from
Drei Lieder, op. 25 (1935)
20. Anton Webern, Piano Variations, op. 27, II (1935-36)
21. Arnold Schoenberg (1874-1951),
Klavierstück, op. 33a (1929)
22. Igor Sravinsky (1882-1971), "Lacrimosa," from
Requiem Canticles (1966)
23. Pierre Boulez (b. 1925),
Structures Ia, mm. 1-39 (1952)
24. Olivier Messiaen (1908-1992),
Turangalîa Symphony, Introduction, reh. 12-22 (1946-48)
25. Karlheinz Stockhausen (1928-2007),
Stimmung (three pages:
Formschema, one sample page of
Modelle, and one sample page of
Magische Namen) (1968)
26. Witold Lutos¿owski (1913-1994),
Jeux vénitiens, I (1960-61)
27. Krzysztof Penderecki (1933-2020),
St. Luke Passion, no. 13, "Et Surgens Omnis Multitudo" (1965)
28. Sofia Gubaidulina (b. 1931), String Quartet no.2, reh. 1-21 (1987)
29. Karlheinz Stockhausen, Telemusik, Sections 1-5 (1966)
30. Barry Truax (b. 1947),
Riverrun, 0:00-8:48 (1986)
31. Luciano Berio (1925-2003),
Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-96 (to reh. E) (1968)
32. György Ligeti (1923-2006),
Ramifications, mm. 1-44 (1968-69)
33. George Crumb (b. 1929), "Primeval Sounds," no. 1 from
Makrokosmos, vol. 1 (1972-73)
34. George Crumb, "Dream Images (Love-Death Music)," no. 11 from
Makrokosmos, vol. 1 (1972-73)
35. Steve Reich (b. 1936),
Violin Phase (1967)
36. John Adams (b. 1947),
Nixon in China, Act I, "News" Aria, mm. 374-542 (1987)
37. Arvo Pärt (b. 1935),
Cantus (1977)
38. Michael Torke (b. 1961),
Adjustable Wrench, mm. 1-72 (1987)
39. Augusta Read Thomas (b. 1964),
Spring Song, mm. 1-41 (1995)
40. Thomas Adès (b. 1971),
Aslya, II, mm. 1-43 (1997)
41. Kaija Saariaho (b. 1952),
Ariel's Hail (2000)
About the author
Miguel A. Roig-Francolí is a Distinguished Teaching Professor of Music Theory and Composition at the University of Cincinnati College-Conservatory of Music.
Summary
This anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first. Designed for use with Understanding Post-Tonal Music by Miguel A. Roig-Francolí, this Anthology can also stand alone for study of the history and analysis of post-tonal music.
