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Multi-use performing arts centers are among the most complex of all building types and require excellent and flexible acoustics in order to suit the facility's varied programming needs. This technical and practical book by renowned acoustician Mark Holden delivers a full discussion of the challenges and solutions that arise in the concept,
List of contents
BUILDING BLOCKS. Making the Case for a Multi-Use Hall. The Building Block of Reverberation. Requirements for Excellent Acoustics. Creating the Acoustic Program. CREATING THE BUILDING. Translating Program into Bricks and Mortar. Myths and New Halls: Schematic Design through Construction Documents. Myths and Renovations: Transforming Existing Buildings into Multi-Use Halls. Running the Acoustic Model. ARCHITECTURAL DETAILS. Orchestra Pit. Acoustic Design of the Stage. Orchestra Seating, Balconies, Boxes, and Parterres. Wall Shaping. Ceiling Designs. Seats and Finishes. MEASURING RESULTS. Making It Multi-Use. Electronic Architecture Systems. Tuning the Hall. CASE STUDIES. Glossary. Appendices.
About the author
Mark Holden earned a bachelor of science degree in electrical engineering at Duke University in 1978. During his time there, he participated in an acoustic study of Duke’s student union as part of a physics course. This experience came full circle when he worked on the renovation of Duke’s Baldwin Hall (explored as a case study within this text). He has lectured at Harvard’s School of Design, Duke’s Pratt School of Engineering, is a member of the National Council of Acoustical Consultants, the United States Institute of Theater Technology (USITT), and an elected fellow of the Acoustical Society of America.
Summary
Multi-use performing arts centers are among the most complex of all building types and require excellent and flexible acoustics in order to suit the facility’s varied programming needs. This technical and practical book by renowned acoustician Mark Holden delivers a full discussion of the challenges and solutions that arise in the concept,
