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Dystopian stories and visions of the Apocalypse are nothing new, but in recent years there has been a noticeable surge in this theme in literature, art, comic books, video games, and TV shows. This volume investigates this pervasive theme through a critical analysis of works from a variety of disciplines.
List of contents
Introduction: Welcome to the Beginning of the End of Everything
Joe Trotta and Houman Sadri
Chapter 1: A Light that Never Goes Out: Bare Life and the Possibility of Ethics in McCarthy's
The RoadZlatan Filipovic
Chapter 2: Hopeful Dystopias? Figures of Hope in the Brazilian Science Fiction Series
3%Michael Godhe
Chapter 3: Hopeful Hybridities: Transformative Interspecies Relationships in Dystopian and Post-Apocalyptic Visual Narratives
Ariel Khan
Chapter 4: Dystopia and Utopia After Darwin: Using Evolution to Explain Edward Bulwer Lytton's
The Coming RaceEmelie Jonsson
Chapter 5: Is this the Futu.re?: Russian Cosmism and the Construction of an Immor(t)al Utopia
Iril Hove Ullestad
Chapter 6: The Mexican
Sicario Against the End of the World
Gabriela Mercado
Chapter 7: Post-apocalyptic Play: Representations of the End of the City in Video Games
Emma Fraser
Chapter 8: The Future in Ruins: The Uses of Derelict Buildings and Monuments in Post-Apocalyptic Film and Literature
Jerry Määttä
Chapter 9: The Zombie as a Pronoun: What Pronouns are Used and Why?
Linda Flores Ohlson
Chapter 10: What can a corpus tell us about Apocalyptic/Dystopian Texts
Joe Trotta
Chapter 11: Original Sin as Salvation: The Apocalyptic Boon in Philip Pullman's
His Dark MaterialsHouman Sadri
About the author
Joe Trotta is Associate Professor of English Linguistics at the Department of Languages and Literatures, University of Gothenburg, Sweden. Joe's research has shifted from traditional linguistics to focusing nearly exclusively on the use of English in popular media. He is the founder and chair of the [GotPop] Research Group and the co-host of the
GotPop Popular Culture Podcast.
Dr. Zlatan Filipovic is Associate Professor in English and Comparative Literature at the Department of Languages and Literatures, University of Gothenburg, Sweden. He has a PhD in English and Comparative Literature from Goldsmiths, University of London and has published extensively on deconstruction and affect in literary writing.
Houman Sadri is a PhD candidate and teacher of English Literature, at the Department of Languages and Literatures, University of Gothenburg, Sweden. He is the co-host of the
GotPop Popular Culture Podcast.
Summary
Dystopian stories and visions of the Apocalypse are nothing new, but in recent years there has been a noticeable surge in this theme in literature, art, comic books, video games, and TV shows. This volume investigates this pervasive theme through a critical analysis of works from a variety of disciplines.
