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Making a strong case for a revaluation of Wyndham Lewis, this collection argues that significant aspects of Lewis's writing, painting and thinking have not yet received the attention they deserve. Lewis's contributions to the production and circulation of modernism and the links between Lewis's writing and painting are explored in the context of other key figures of the twentieth century.
List of contents
Contents: Introduction, Andrzej Gasiorek, Alice Reeve-Tucker and Nathan Waddell; Part I Friends and Enemies: 'Quotation', Alan Munton; Vorticism denied: Wyndham Lewis and the English Cubists, Dominika Buchowska; In the 'enemy' camp: Wyndham Lewis, Naomi Mitchison and Rebecca West, Michael Hallam; The crisis of the system: Blast's reception, Jodie Greenwood; John Rodker, Julius Ratner and Wyndham Lewis: the split-man writes back, Ian Patterson. Part II Media and Mass Society: Sound and the cultural politics of time in the avant-garde: Wyndham Lewis's critique of Bergsonism, James G. Mansell; Modern times against western man: Wyndham Lewis, Charlie Chaplin and cinema, Scott W. Klein; 'The best in the worst of all possible worlds': corporate patronage in Wyndham Lewis's late work, Alexander Ruch; Wyndham Lewis, Evelyn Waugh and inter-war British youth: conflict and infantilism, Alice Reeve-Tucker and Nathan Waddell. Part III Culture and Modernity: The culture theories of Wyndham Lewis and T.S, Eliot, Victor Barac; Wyndham Lewis on art, culture and politics in the 1930s, Andrzej Gasiorek; Wyndham Lewis and the uses of shellshock: meat and postmodernism, Paul Edwards; Bibliography; Index.
About the author
Andrzej Gasiorek is Reader in Twentieth-Century Literature at Birminghan University, UK; Alice Reeve-Tucker is a Ph.D candidate at Birmingham University, UK, and Nathan Waddell recently completed his PhD at Birmingham University, UK.
Summary
Making a strong case for a revaluation of Wyndham Lewis, this collection argues that significant aspects of Lewis's writing, painting and thinking have not yet received the attention they deserve. Lewis's contributions to the production and circulation of modernism and the links between Lewis's writing and painting are explored in the context of other key figures of the twentieth century.
