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Scholarly studies of Chinese culture, history and society, both within and outside of China, generally pay little attention to leisure, entertainment and amusement, though it has long been known that this aspect of life gives a deep understanding of the psyche and soul, and the hopes and fears, of a person. Leisure is a less coerced-upon, mandatory human conduct than work; certainly leisurely conduct is more voluntary, expressive and creative. But when seen as human behaviour, leisure and entertainment cannot be separated from history, heritage, ethnicity, the community, family and kin, rituals and customs - thus a collective activity and its constraints on the person.
This book examines a variety of genre of Chinese entertainment, from singing clubs, Cantonese opera and film, to Chinese rock and tourism. Though formally voluntary, Chinese entertainment, when entangled with ethnicity, heritage and history, is ironically a site of both enjoyment and struggle, both pleasure and suffering.
This book was originally published as a special issue of Visual Anthropology.
List of contents
1. Entertainment: Enjoyment or Struggle? Kwok-bun Chan 2. Chinese Entertainment, Ethnicity and Pleasure Kwok-bun Chan and Sai-Shing Yung 3. Entertaining "Chineseness": Chinese Singing Clubs in Contemporary Bangkok Frederick Lau 4. Performance Context as a Molding Force: Photographic Documentation of Cantonese Opera in Hong Kong Sau Y. Chan 5. Made in China: The Gods Go East Vanessa McLennan-Dodd and Keyan G. Tomaselli 6. Authenticating Geographies and Temporalities: Representations of Chinese Rock in China Joroen De Kloet 7. The Poverty of Tourism under Mobilizational Developmentalism in China Tak-Chuen Luk
About the author
Kwok-Bun Chan is Founder and Chairman of the Chan Institute of Social Studies (CISS). He is former Head of Department of Sociology, National University of Singapore, former Chair Professor of Sociology and Head of Department of Sociology, and Director of David C. Lam Institute of East-West Studies, Hong Kong Baptist University, Hong Kong, China. He is an expert in migration, identities, entrepreneurship, joint ventures, business networks, Chinese overseas, hybridity, transnationalism and cosmopolitanism, the family, and race and ethnic relations.
Summary
Richly illustrated with original photographs, this book examines Chinese entertainment ranging from film and opera to rock and tourism, on the mainland and outside it, in the Chinese diaspora. This book was originally published as a special issue of Visual Anthropology.
