Read more
Seamus Heaney and the Adequacy of Poetry is the first full study of the development Heaney's prose poetics and their central theme, the adequacy of poetry, as a force for good in the face of history's violence.
List of contents
- Introduction: The Idea of Adequacy
- 1: The Voices of My Education
- 2: Elements of Continuity
- 3: A Shift in Trust
- 4: Poetry is its Own Reality
- 5: To Construct Something upon which to Rejoice
- 6: The Humanist Wager
- Epilogue: The Hint Half Guessed
- Bibliography
- Index
About the author
John Dennison was born in Sydney in 1978. He studied English and Classics at Victoria University of Wellington, and English and Theology at the University of Otago, before completing a PhD in English Literature at the University of St Andrews. He lives in Wellington, New Zealand, where he is Associate Chaplain at the Anglican Chaplaincy, Victoria University of Wellington. John Dennison is also the author of a collection of poems,
Otherwise, published by Carcanet/Auckland University Press.
Summary
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the violence of historical life. It is a curiously equivocal ideal, and as such most clearly demonstrates the intellectual origins, the humanist character, and the inherent strains of these poetics, the work of one of the world's leading poet-critics of the last thirty years. Seamus Heaney and the Adequacy of Poetry is the first study of the development of Heaney's thought and its central theme. Eschewing the tendency of critics to endorse or expand on Heaney's poetics in largely adulatory terms, it draws on archival as well as print sources to trace the emerging dualistic shape, redemptive logic, and post-Christian nature of Heaney's thought, from his undergraduate formation to his late cultural poetics. It also includes a meticulous and wholly new examination of Heaney's revisions to previously published prose. Dennison takes seriously the post-Christian, frequently religious tenor of Heaney's language, showing how his belief in poetry's adequacy ultimately constitutes an Arnoldian substitute for—indeed, an 'afterimage' of—Christian belief. This is the deep significance of the idea of adequacy to Heaney's thought: it allows us to identify precisely the late humanist character and the limits of his troubled trust in poetry.
Additional text
provides a refreshing new approach ... one of the finest studies of Heaney.
