Read more
Informationen zum Autor Nolwenn Mingant is a Senior Lecturer at the University of Nantes! France and co-editor of Film Marketing into the Twenty-First Century. Her research interests include film industries around the world and the international distribution of Hollywood films.Cecilia Tirtaine is a Senior Lecturer in British Studies at the University of Nantes! France. She is the co-editor of Film Marketing into the Twenty-First Century. Her research interests include the British film industry and film and television policies. Zusammenfassung This volume explores and interrogates the shifts and changes in both government and industry-based screen policies over the past 30 years. Inhaltsverzeichnis Foreword Stuart CunninghamIntroductionNolwenn Mingant and Cecilia TirtainePart I: The Traditional Film Policy Paradigm Introduction Nolwenn Mingant and Cecilia Tirtaine1. 'France needs to position itself on the global media map! as a cultural reference and a production centre.' An interview with Stephan Bender2. A Fragile Industry: Government Policy and Dubbing in QuebecA case study by Christine York3. Monitored Relations: The US Film Industry! Chinese Film Policy and Soft PowerDeron Overpeck 4. Cool Japan and Heated Politics: Japanese Film and Media Policies within the Economic Politics of Global MarketsJennifer DeWinter5. 'Sophisticated Cyber Terrorists': The Film Industry! Rhetoric! and National SecurityA case study by Mike Van Esler6. National Film Policies: Discourses and LoopholesA case study by Joël AugrosPart II: The Film Policy Power Struggle Introduction Nolwenn Mingant and Cecilia Tirtaine7. 'Qualified personalities': Sociology of the French 'Media Government' from Television to the Digital EraOlivier Alexandre8. Informal Collaborations and Formal Agreements: Chinese-Korean Film EncountersBrian Yecies9. 'The Petrol in Our Tank': Public-Private Collaboration in Indian State Animation! Visual Effects! Gaming and Comics (AVGC) PolicyTimothy Jones10. 'Unionization of visual effects is inevitable'An interview with Joe Pavlo11. Tiptoeing the Red Line: PureMovies and Censorship in ChinaA case study by Tiecheng Li12. Bridging the Gap: Towards a Dialogue between Screen Production! Policy and ScholarshipJulia Hammett-Jamart Part III: The Film Policy TangleIntroduction Nolwenn Mingant and Cecilia Tirtaine13. The Ibermedia Programme: How Supranational Policy Developed the Ibero-American Audiovisual SpaceCarmina Crusafon14. Towards a New Film Policy Map in ArgentinaA case study by Leandro Gonzalez 15. 'I have to make a round of every country's funding systems.'An interview with Sabine Sidawi16. Cross-Border Collaboration: Sub-National Film Policies and Cultural Frameworks in Belgium and France Jamie Steele17. Between YU and the EU: The Europeanization of the Serbian Film Policies Petar Mitric18) Reconciling Economic and Cultural Goals in Film Policy: Propositions from EuropeA case study by Anna Herold and Claudia GolserPART IV: (Re)Inventing the Film Policy ParadigmIntroduction Nolwenn Mingant and Cecilia Tirtaine19) Talking to Netflix with a Canadian Accent: On Digital Platforms and National Media PoliciesIra Wagman20) One Script! Several Films: Public Policies and the Digitisation of Movie Theatres in the United States! France and Quebec Aurélie Pinto21) "Unwilling and Powerless: Facing Illegal Distribution and Exhibition in Chad" A case study by Patrick Ndiltah22) From Film Policy to Creative Screen Policies: Media Convergence and Film Policy Trends in Flanders A case study by Gertjan Willems! Daniel Biltereyst! Philippe Meers! and Roel Vande Winkel23) South African Post-Apartheid Film Policy: Shifting Discourses on Film! National Identity and Cultural/Creative Industries" Natalie Kowalik and Philippe Meers24) The Vertical Axis of Film Policies in Europe: Between Subsidiarity and Local Anarchy Marco Cucco25) The Film Cod...
