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Neue Technologien, deren Risikopotenziale noch im Dunkeln liegen, lösen oftmals Ängste und Befürchtungen aus. Ist das Vorsorgeprinzip geeignet, damit umzugehen? Mit dieser Frage befasst sich das vorliegende Buch. Auf der Basis empirischer Forschung wird gezeigt, dass das vorsorgende Risikomanagement alle ideologischen Sehnsüchte abweisen muss. Erst evidenz-basierte Informations- und Kommunikationsstrategien bieten einen tragfahigen Ansatz, um fatale Fehler zu vermeiden.
List of contents
Introduction to the second edition ; 1. Art histories and art theories ; 2. Formalism, modernism and modernity ; 3. Marxist and social art histories ; 4. Semiotics and poststructuralism ; 5. Psychoanalysis, art and the fractured self ; 6. Representations of gender, sex and sexualities ; 7. Art and art histories since the 1960s ; 8. Postcolonialism, globalisation and art histories
About the author
Diana Newall is a Staff Tutor and an Associate Lecturer in Art History at The Open University and a Consultant Lecturer for Sotheby’s Institute of Art. She is co-author of The Chronology of Pattern (2011), has published on Cretan art and is editor of Art and Its Global Histories, A Reader (2017).
Grant Pooke is an Honorary Senior Fellow in Art History of the University of Kent and teaches for The Open University. He is the author of Francis Klingender: A Marxist Art Historian Out of Time (2008), co-author of Fifty Key Texts in Art History (2012) and Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand (2016).
Summary
Now in its second edition, this volume is a fully illustrated, accessible introduction to the history of art. Using an international range of examples, it provides the reader with a toolkit of concepts, ideas and methods relevant to understanding art history.
