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History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the third edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events.
This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler's List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new introduction, a revised final chapter, a new epilogue that discusses recent history films such as Selma and The Imitation Game, and an extensive and updated guide to further reading.
Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
List of contents
List of illustrationsPreface to the series Introduction to the third editionIntroduction to the second edition Acknowledgements Chapter 1 History on film
Chapter 2 To see the past
Chapter 3 Mainstream drama
Chapter 4 Innovative drama
Chapter 5 Documentary
Chapter 6 Telling lives
Chapter 7 Film-maker/Historian
Chapter 8 Engaging the discourse
Chapter 9 Film on history
Epilogue The View from 2017
Guide to key reading
Bibliography
Index
About the author
Robert A. Rosenstone is Professor Emeritus of History at the California Institute of Technology, USA. His award-winning biography of John Reed,
Romantic Revolutionary (1975), was used as the basis of Warren Beatty's multiple Academy Award winner,
Reds, on which Rosenstone served as historical consultant. His other publications include
Visions of the Past: The Challenge of Film to Our Idea of History (1995)
Crusade of the Left: The Lincoln Battalion in the Spanish Civil War (1969), and
Mirror in the Shrine: American Encounters with Japan (1988). He is the editor of
Revisioning History: Film and the Construction of a New Past (1995) and
Experiments in Rethinking History (2004) and is the Founding Editor of
Rethinking History: The Journal of Theory and Practice.
Summary
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. Examining the codes and conventions of how films tell us about the past and providing guidance on how to analyse films as historical interpretations, this book is an essential introduction to the field.
