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Informationen zum Autor Simon Gottschalk is Professor of Sociology at the University of Nevada, Las Vegas and associate at the International Research Center on Hypermodern Individuals and Society. He served as editor of Symbolic Interaction from 2003 to 2007, and as president of the Society for the Study of Symbolic Interaction. Co-author of The Senses in Self, Culture and Society (Routledge 2011) and author of Inter-Face-Work: Symbolic Interaction in the Digital Age , he has published numerous articles and book chapters that develop a critical interactionist perspective on phenomena as varied as youth cultures, hypermodernism, ethnography, food, environmental identity, mass media, mental disorders, and virtual interactions. Klappentext Inspired by interactionist theory and Goffman's dramaturgy, this book traces the terminal or online self, generated by our modern practice of interacting with others on terminals, both on- and offline. It explores the deterioration of our sensory engagement in face-to-face interactions; the 'hyper-narcissism' that comes to characterise the project of the self in contemporary society; the short, decontextualized, often faceless and instrumental nature of our terminal interactions with others; the drive for immediate gratification, voyeurism and exhibitionism that shapes hypermodern lives; and the sense of panic and urgency that prevails in our responses to an incessant flow of communication. Zusammenfassung Living at the dawn of a digital twenty-first century! people living in Western societies spend an increasing amount of time interacting with a terminal and interacting with others at the terminal. Because the self emerges out of interaction with others (humans and non-humans)! this increasingly pervasive and mandatory interaction with terminals prompts a 'terminal self'-a nexus of social and psychological orientations that are adjusted to the terminal logic. In order to trace the terminal self's profile! the book examines how five unique 'default settings' of the terminal incite particular adjustments in users that transform their perceptions of reality! their experiences of self! and their relations with others. Combining traditional interactionist theory! Goffman's dramaturgy! and the French hypermodern approach! using examples from everyday life and popular culture! the book examines these adjustments! their manifestations! consequences! and resonance with broader trends of a hypermodern society organized by the 'digital apparatus.' Suggesting that these adjustments infantilize users! the author proposes strategies to confront three interrelated risks faced by the terminal self and society. These risks pertain to users' subjectivity and need for recognition! to their declining abilities in face-to-face interactions! and to their dwindling abilities to retain control over terminal technologies.An accessibly written examination of the transformation of the self in the digital age! The Terminal Self will appeal to scholars of sociology! social psychology! and cultural studies with interests in digital cultures! new technologies! social interaction! and conceptions of identity. Inhaltsverzeichnis Acknowledgments 1. Initializing 2. Settings 3. Sync 4. Personalize 5. Validate 6. Ignore 7. Submit 8. Disable 9. Save as, Bibliography, Index ...
