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Informationen zum Autor Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is afounding member and Chair of IASPM Hungary! editor of Zenei Hálózatok Folyóirat (Music Networks Journal)! and Advisory Board Member of IASPM@Journal.Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary. Zusammenfassung Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is afounding member and Chair of IASPM Hungary! editor of Zenei Hálózatok Folyóirat (Music Networks Journal)! and Advisory Board Member of IASPM@Journal.Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary. Inhaltsverzeichnis Acknowledgments List of Illustrations Series Foreword Introduction: The Study of Popular Music in Hungary Part I: Scenes! Cultures and Identities 1. Setting Up a Tent in the "New Europe:" The Sziget Festivalof Budapest2. Taming the Extreme: Hungarian Black Metal in the Mainstream Publicity 3. Learned Helplessness of a Cultural Scene: The Hungarian Contemporary Jazz Scene through the Eyes of Its Participants 4. A Translocal Music Room of One's Own: Female Musicians within the Budapest Lo-Fi Music ScenePart II: History! Politics and Remembering 5. The Songs Remain the Same: Structures of Cultural Politics of Retro in Hungarian Pop Music 6. "Hungarian in Form! Socialist in Content:" The Concept of National Dance Music in Stalinist Hungary7. Paper Mohawk: On a Missing Hungarian Punk Monograph 8. "Nothing But the Music ? :" The History of Hungarian Funk Music Part III: Artists! Receptions and Audiences 9. The Insecure Village Girl Who Found Success! and Her Gentle Deconstructions: Bea Palya10. "Gloomy Sunday:" The Hungarian "Suicide Hymn" between the Myths and Interpretations 11. "This Kind of Music Informs You about the Present State of the World:" DJ Palotai's Position within the Contemporary Hungarian Underground Culture 12. The Way They Were: Subcultural Experiences of Emo Fans from a Retrospective Aspect 13. The Growth of the Hungarian Popular Music Repertoire: Who Creates It and How does It Find an Audience? 14. Coda: "My Genes in My Suitcase! My Forehead in the Atmosphere:" Perceptions of Hungarian Popular Music and Its Research Abroad Afterword: "A Dozen Songs Put in the Right Order:" A Conversation with Yonderboi Select Bibliography of Hungarian Popular Music Notes on Contributors Index ...
