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This book explores the possible and potential relevance of Giorgio Agamben's political thoughts and writings for the theory and the practice of architecture and urban design.
List of contents
1. Introduction: An Architecture Inseparable from its Form,
Part I: Agamben's Burning House, 2. Paradigmatic Spaces: Agamben Spaces, Architecture and Arts, 3. Literal and Artistic Potential Common Grounds, 4. The Taking Place of Possible Inoperative Encounters,
Part II: Giorgio Agamben's Oeuvre, 5. Earlier Works:
The Man Without Contents, Stanzas and
Language and History, 6. The Coming Politics and Potentialities:
The Coming Community, 7. The
Homo Sacer project since its inception to
Stasis,
Part III: Towards an Inoperative Architecture, 8. Paradigms and
Dispositifs, 9. Profanation, 10. Potentialities, 11. Inoperativity, 12. Use, 13. Abandoning the Project: The Possibility for a
Whatever Architecture
About the author
Camillo Boano is an architect and urbanist. He is Senior Lecturer at The Bartlett Development Planning Unit, University College of London (UCL), where he directs the MSc in Building and Urban Design in Development. He is also co-director of the UCL Urban Laboratory.
Summary
The Ethics of a Potential Urbanism explores the possible and potential relevance of Giorgio Agamben’s political thoughts and writings for the theory and the practice of architecture and urban design. It sketches out the potentiality of Agamben’s politics, which can affect change in current architectural and design discourses. The book investigates the possibility of an inoperative architecture, as an ethical shift for a different practice, just a little bit different, but able to deactivate the sociospatial dispositive and mobilize a new theory and a new project for the urban now to come. This particular reading from Agamben’s oeuvre suggests a destituent mode of both thinking and practicing of architecture and urbanism that could possibly redeem them from their social emptiness, cultural irrelevance, economic reductionism and proto-avant-garde extravagance, contributing to a renewed critical ‘encounter’ with architecture’s aesthetic-political function.
