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Thailand's position during the Cold War was ambiguous: the country's political leadership was very keen to maintain the country's independence on the world stage, yet at the same time was anxious to establish the country's credentials as staunchly anti-communist. However, as this book argues, Thailand, though never formally a client state of the United States, was very closely embedded in the Western camp through the commitment of Thailand's cosmopolitan urban communities to developing a modern, consumerist lifestyle. Considering popular culture, including film, literature, fashion, tourism and attitudes towards Buddhism, the book shows how an ideology of consumerism and integration into a "free world" culture centred in the United States gradually took hold and became firmly established, and how this popular culture and ideology was fundamental in determining Thailand's international political alignment.
List of contents
Introduction 1. ‘A Theatre with Two Stages’: Jim Thompson’s Thailand 2. In and out of Vogue: Dressing for Progress before and after 1945 3. If not ‘Great’, then what? Rethinking Thainess in Post-war Bangkok 4. Cultural Spectacle, Political Authority and the Subversion of Thai modernity 5. The Tourist Organization of Thailand and Cold War Propaganda 6. It’s a Small World After All: Thailand’s Integration into Free World Culture. Conclusion
About the author
Matthew Phillips was born and raised in New York City. He graduated from Bard High School Early College in downtown Manhattan in 2003, earning an Associate's Degree in lieu of a High School Diploma at the age of 18. He earned a Bachelor's Degree at Binghamton University and from there enrolled in the CUNY Graduate Center where he was slated to earn a Master's Degree in Middle Eastern Studies.
Matthew's primary focus in writing was the Israel-Palestine conflict. Often critical of Israel's involvement, he published eight essays on this topic on Mondoweiss, an online platform dedicated to informing the public about the ongoing struggle for peace in the region. Matt also wrote poetry and stories. A collection of his poetry, The Island's Only Escape, edited by his brother Ian, was published by Pleasure Boat Studio in 2018. About this publication, the reviewer Ricardo Nirenberg wrote in Offcourse, "A slim, posthumous book...by a poet of obviously unusual talent and attractive imagination." It can be ordered through Amazon or directly from Pleasure Boat Studio (www.pleasureboatstudio.com).
Matthew is the son of Louis Phillips and Patricia Ranard, and the twin brother of Ian Phillips. He died in New York on April 4, 2011, at the age of 26.
The poetry and other writings by Matthew Phillips can be accessed at matthewphillipswrites.com.
