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List of contents
Foreword - Paul Barker Part 1: Introducing Voice Studies Introduction: voice(s) as a method and an in-between - Ben Macpherson and Konstantinos Thomaidis 1. The Re-vocalization of Logos? Thinking, doing and disseminating voice - Konstantinos Thomaidis Part 2: Voice in Training and Process 2. The Singularity of Experience in the Voice Studio: a dialogue with Michel Henry - Päivi Järviö 3.Learning to Let Go: control and freedom in the passaggio - Tim Kjeldsen 4. Training Actors’ Voices: towards an intercultural/interdisciplinary approach - Tara McAllister-Viel 5. A Sea of Honey: the speaking voice in the Javanese shadow puppet theatreJ - an Mrázek Part 3: Voice in Performance 6. Nonsense: towards a vocal conceptual compass for art - Mikhail Karikis 7. Performing the Entre-Deux: the capture of speech in (dis)embodied voices - Piersandra Di Matteo 8. Sensing Voice: materiality and the lived body in singing and listening philosophy - Nina Sun Eidsheim 9. Lamenting (with the) "Others," "Lamenting our Failure to Lament"? An auto-ethnographic account of the vocal expression of loss - Marios Chatziprokopiou 10. Enchanted Voices: voice in Australian sound art - Norie Neumark Part 4: Voice in Experience and Documentation 11. "Body Musicality": the visual, virtual, visceral voice - Ben Macpherson 12. Transcribing Vocality: voice at the border of music after modernism - Pamela Karantonis 13. Strange Objects/Strange Properties: female audibility and the acoustic stage prop - Ella Finer 14. The Eavesdropper: listening-in and overhearing the voice in performance - Johanna Linsley Part 5: A Polyphonic Conclusion 15. What is Voice Studies? - Ben Macpherson, George Burrows, Diana Van Lancker Sidtis, Yvon Bonenfant, Lyn Darnley, Amanda Smallbone, Nina Sun Eidsheim, ‘Femi Adedeji, Jarosław Fret, Konstantinos Thomaidis
About the author
Konstantinos Thomaidis is a Lecturer in Drama and Theatre at the University of Portsmouth. He is joint founder of the Centre for Interdisciplinary Voice Studies, co-convenes the Performer Training working group at TaPRA and is founding editor of the Journal of Interdisciplinary Voice Studies.
Ben Macpherson is Senior Lecturer and Course Leader for Musical Theatre at the University of Portsmouth. He is joint founder of the Centre for Interdisciplinary Voice Studies, a founding editor of the Journal of Interdisciplinary Voice Studies and composer of musical theatre.
