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Informationen zum Autor Catherine Sona Karagueuzian Klappentext To date, no book-length study of the work of poet Jorie Graham has been published. Graham now holds the prestigious Boylston Professorship of Rhetoric and Oratory at Harvard University; recipient of a MacArthur Fellowship and a Pulitzer Prize, Graham has established herself as one of the most important poets of her generation. This book addresses the connection between Graham's work and the legacy of American Modernism, arguing that her recurring interest in the visible world and how best to represent it in her poetry can be seen as a continuation of the work of Eliot and Stevens. For Graham, the visible world is a means of approaching the ineffable, or the divine. The poet's approach to the ineffable in her work is conflated at times with the relationship between the self and the other: maintaining the integrity of both and accurately representing the truth of what she sees become a moral project for the poet, aligning her work with that of the Moderns. The book addresses Graham's entire body of work, now nine books of poetry, and interprets her poetic preoccupation with visuality through the lens of psychoanalytic criticism. Zusammenfassung Presents the book-length study of Jorie Graham, this book connects her work to the legacy of Eliot and Stevens in an effort to explain her recurring interest in the visual and compulsion to drastically reinvent her work as she goes along. Inhaltsverzeichnis Chapter One Jorie Graham as Twenty-First Century Modernist; Chapter Two The Impact of the Poet's Eye upon the World and the Word: Hybrids of Plants and of Ghosts and Erosion; Chapter Three Self-Portrait and Autobiographical Vision: The End of Beauty and Region of Unlikeness; Chapter Four The Impenetrable World and the Poet's Frustrated Vision: Materialism and The Errancy; Chapter Five Linguistic Economy, Abstemiousness, and the Return to the Natural World: Swarm and Never;
