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Religion and Hip Hop brings together the category of religion, Hip Hop cultural modalities and the demographic of youth. Bringing postmodern theory and critical approaches in the study of religion to bear on Hip Hop cultural practices, this book examines how scholars in religious and theological studies have deployed and approached religion when analyzing Hip Hop data. Using existing empirical studies on youth and religion to the cultural criticism of the Humanities, Religion and Hip Hop argues that common among existing scholarship is a thin interrogation of the category of religion. As such, Miller calls for a redescription of religion in popular cultural analysis - a challenge she further explores and advances through various materialist engagements.
Going beyond the traditional and more common approach of analyzing rap lyrics, from film, dance, to virtual reality, Religion and Hip Hop takes a fresh approach to exploring the paranoid posture of the religious in popular cultural forms, by going beyond what "is" religious about Hip Hop culture. Rather, Miller explores what rhetorical uses of religion in Hip Hop culture accomplish for various and often competing social and cultural interests.
List of contents
Introduction: (Re)Finding Religion 1. Scapegoats, Boundaries, and Blame: The Civic Face of Hip-Hop Culture 2. Don’t Judge a Book by Its Cover 3. And the Word Became Flesh: Hip-Hop Culture and the (In)coherence of Religion 4. Inside-Out: Complex Subjectivity and Postmodern Thought 5. Youth Religiosity in America: The Empirical Landscape 6. Faith in the Flesh Conclusion: When the Religious Ain’t So Religious, After All Notes Bibliography Index
About the author
Monica R. Miller is a Mellon Postdoctoral Fellow in the Humanistic Approaches to the Social Sciences at Lewis & Clark College, Department of Religious Studies. She is co-chair of a new American Academy of Religion (AAR) group entitled 'Critical Approaches to the Study of Hip Hop and Religion' and Senior Research Fellow with the Institute for Humanist Studies (IHS), Washington, DC.
Summary
This book brings together the category of religion, Hip Hop cultural modalities and the demographic of youth. By using postmodern theory and critical approaches in the study of religion on Hip Hop cultural practices, the project examines how scholars in religious and theological studies have deployed and approached religion when analyzing Hip Hop data.
