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This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film.
List of contents
Introduction 1. Image and Reality 2. Formal Structures: How Films Tell Their Stories 3. The Building Blocks Of Film I: The Shot and Its Elements 4. The Building Blocks of Film II: The Cut 5. The Story Tellers of Film I 6. The Storytellers of Film II: Acting 7. The Storytellers of Film III: The Director 8. Global Cinema 9. The Stories Told By Film I 10. The Stories Told by Film II 11. Film as Cultural Practice
About the author
Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024).
Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller’s War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012).
Summary
This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film.