Portraiture, Gender, and Power in Sixteenth-Century Art - Creating and Promoting the Public Image of Early Modern Women

This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance.

List of contents

Part 1 Creating the Image of Women in Power 1. Bronzino’s Portrait of Eleonora di Toledo with Her Son Giovanni: The Invention of a Secular Icon for the Early Modern State 2. Portrayals of Catherine de’ Medici at the Granducal Medici Court 3. Medals, Cameos, and Miniatures: Small Format Female Portraits at the Court of Philip II 4. The Failure to Construct a Visual Image of Gendered Power: Anthonis Mor’s Portrait of Mary I, Queen of England, in the Prado Part 2 Uses, Functions, and Ways of Displaying 5. Portrait Galleries for the House of Habsburg in the Low Countries: Margaret of Austria in Mechelen and Mary of Hungary in Brussels 6. Captive in a Portrait Gallery: Titian’s Portraits of John Frederick I of Saxony (c. 1548 and c. 1551) and the Collection of Mary of Austria, Queen of Hungary 7. "So They May Beseech God on His Behalf": Devotion, Courtly Pomp, and Dynastic Presence in the Portrait Collections of Juana of Austria, Princess of Portugal, and Maria of Austria in the Monastery of Las Descalzas Reales in Madrid 8. The Portrait Gallery of Mencía de Mendoza, Marquise of Zenete 9. Maria de Mendoza, Portraits, and the Negotiation of Memory: The Display of Her Painting Collection in the Cobos-Mendoza Palace in Valladolid

About the author

Noelia García Pérez is Associate Professor of Art History at the University of Murcia, Spain.

Summary

This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance.

Product details

• Authors: Noelia (University of Murcia Garcia Perez
• Assisted by: Noelia García Pérez (Editor)
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Hardback
• Released: 05.03.2024
• EAN: 9781032206837
• ISBN: 978-1-0-3220683-7
• No. of pages: 244
• Series: Visual Culture in Early Modernity
• Subjects: Humanities, art, music > Art > Art history; SOCIAL SCIENCE / Women's Studies, ART / History / General, ART / Women Artists, History of Art, History of art & design styles: c 1400 to c 1600, Gender studies: women, Gender studies: women and girls, 16th century, c 1500 to c 1599, c 1500 to c 1600