Fr. 80.00

Routledge Companion to Literature and Trauma

English · Paperback / Softback

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Description

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Literary trauma studies is a rapidly developing field which examines how literature deals with the personal and cultural aspects of trauma and engages with such historical and current phenomena as the Holocaust and other genocides, 9/11, climate catastrophe or the still unsettled legacy of colonialism.



The Routledge Companion to Literature and Trauma is a comprehensive guide to the history and theory of trauma studies, including key concepts, consideration of critical perspectives and discussion of future developments. It also explores different genres and media, such as poetry, life-writing, graphic narratives, photography and post-apocalyptic fiction, and analyses how literature engages with particular traumatic situations and events, such as the Holocaust, the Occupation of France, the Rwandan genocide, Hurricane Katrina and transgenerational nuclear trauma.

Forty essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world.

List of contents

Introduction to Literary Trauma Studies


Colin Davis and Hanna Meretoja




Part 1: Sources and Inspirations





    1. History of Trauma Theory




    2. Nicole Sütterlin


    3. Philosophies of Trauma




    4. Hanna Meretoja


    5. Trauma, Poststructuralism and Ethics




    6. Colin Davis


    7. Theories of Cultural Trauma




    8. Todd Madigan


    9. Trauma and Cultural Memory Studies




    10. Rosanne Kennedy


    11. Testimony




    12. Meg Jensen


    13. Trauma, Time and Address




    14. Cathy Caruth



      Part 2: Key Concepts


    15. Victimhood




    16. Susana Onega


    17. Perpetrator Trauma




    18. Erin McGlothlin


    19. Witnessing




    20. Carolyn Dean


    21. Screen Memory




    22. Max Silverman


    23. Working-Through




    24. Jean-Michel Ganteau


    25. Affect




    26. Andreea Ritivoi


    27. Narrative




    28. Jakob Lothe


    29. Gender




    30. Sharon Marquart


    31. Intersectionality




Kaisa Ilmonen




Part 3: Critical Perspectives and Future Directions


17. Cosmological Trauma and Postcolonial Modernity

Sam Durrant and Ryan Topper

18. Trauma and the Implicated Subject


Michael Rothberg


19. Transcultural Empathy


Katja Garloff


20. Cognitive Approaches to Trauma and Literature


Joshua Pederson


21. Trauma, Critical Posthumanism and New Materialism


Deniz Gundogan Ibrisim


22. Trauma Studies in the Digital Age


Anna Menyhért


23. Reading Literatures of Trauma in the Age of Globalization


Kaisa Kaakinen


24. Trauma, Illness and Narrative in the Medical Humanities


Jo Winning


25. Climate Trauma


Stef Craps




Part 4: Genres and Media


26. Trauma and Fiction


Robert Eaglestone


27. Trauma and Poetry


Charles Armstrong


28. Trauma and Life Writing


Leena Kurvet-Käosaar


29. Graphic Narratives as Trauma Fiction


Katalin Orban


30. Trauma and Drama/Theatre/Performance


Patrick Duggan


31. Trauma and Photography


Cécile Bishop


32. Post-Apocalyptic Fiction and the Future Anterior


Jouni Teittinen




Part 5: Places and Events


33. Trauma in Holocaust Literature


Sue Vice


34. The German Occupation of France, 1940-44


Avril Tynan


35. The Vietnam War


Mark Heberle


36. The Rwandan

About the author










Colin Davis is Professor of French and Comparative Literature at Royal Holloway, University of London, UK.

Hanna Meretoja is Professor of Comparative Literature and Director of SELMA: Centre for the Study of Storytelling, Experientiality and Memory at the University of Turku, Finland.


Summary

Over 40 essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world.

Report

Contributors to this ambitious, far-ranging volume explore the way trauma has been treated in literature, from fiction to testimonial writing and visual media. These explorations, sometimes convergent and at other times divergent, will engage readers across various disciplines and may well offer bases to elaborate further possibilities and limits in the critical understanding of trauma and trauma studies.
Dominick LaCapra
 

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