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Informationen zum Autor Dr Edward J. Gillin is Lecturer in the History of Building Sciences and Technology at the Bartlett School of Sustainable Construction in University College London. A cultural historian of nineteenth-century Britain, he specialises in questions of science, technology, and architecture, and how these relate to broader histories of society, politics, and religion. Klappentext Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. This collection will be of great interest to students and scholars of the History of Science. Zusammenfassung Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. This collection will be of great interest to students and scholars of the History of Science. Inhaltsverzeichnis Volume Three Acknowledgements Chronology Introduction John Goldingham, "Experiments for Ascertaining the Velocity of Sound, at Madras in the East Indies", Philosophical Transactions of the Royal Society , 1823, (London, England), p. 183. Gerard Moll, "On Captain Parry’s and Lieutenant Foster’s Experiments on the Velocity of Sound", Philosophical Transactions of the Royal Society , 1828 (London, England), pp. 97-104. John Ross, Narrative of a Second Voyage in Search of a North-West Passage, and of a Residence in the Arctic Regions, during the Years 1829, 1830, 1831, 1832, 1833 , Vol. 1, (A.D. Wahlen: Brussels, 1835), pp. 197-198. Piazzi Smyth, "On the Methods Adopted to Secure Extreme Accuracy in the Edinburgh Castle Time-Gun Signal", Transactions of the Royal Scottish Society of Arts , Vol. VI, 1864 (Edinburgh, Scotland), pp. 136-152. E. J. Stone, "An Experimental Determination of the Velocity of Sound", Philosophical Transactions of the Royal Society , 1871, (London, England), pp. 1-6. John Tyndall, "On the Atmosphere as a Vehicle of Sound", Philosophical Transactions of the Royal Society , Vol. 164, 1875, (London, England), pp. 183-244. Benjamin Wyatt, Observations on the Design for the Theatre Royal, Drury Lane, as Executed in the Year 1812: Accompanied by Plans, Elevation, & Sections, of the Same (J. Taylor: London, 1813), pp. 1-55. John Blackburn, "Description of a Sounding Board in Attercliffe Church", Philosophical Transactions of the Royal Society , 1828, (London, England), pp. 361-363. John Scott Russell, "Elementary Considerations of Some Principles in the Construction of Buildings Designed to Accommodate Spectators and Auditors", The Edinburgh New Philosophical Journal , Vol. 27 (Apr.-Oct., 1839), pp. 131-136. David Boswell Reid, Illustrations of the Theory and Practice of Ventilation, with Remarks on Warming, Exclusive Lighting, and the Communication of Sound (London: Longman, Brown, Green & Longmans, 1844), pp. 310-328. Thomas Roger Smith, A Rudimentary Treatise on The Acoustics of Public Buildings; or, the Principles of the Science of Sound Applied to the Purposes of the Architect and Builder (London: John Weale, 1861), pp. 1-160. (Anon.), "An Imperial Pitchfork", The Spectator , 28 Aug., 1858, (London, England), pp. 910-911. (Anon.), "English Committee on Musical Pitch", The Spectator , 18 Jun., 1859, (London, England), p. 639-640. John Herschel, "Uniform Musical Pitch", Leeds Mercury , (Leeds, England) 2 Aug., 1859; Issue 6985.
