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An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized partsChinese workers in the third century BCE created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century CE, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations,
Ten Thousand Things make a profound statement about Chinese art and society.
About the author
Lothar Ledderose is senior professor at the Institute of East Asian Art History at Heidelberg University. An internationally renowned scholar of Chinese art and calligraphy, he has curated numerous exhibitions on Asian art, including
Treasures from the Forbidden City (Berlin, Vienna 1985),
The Terracotta Army (Dortmund 1991),
Japan and Europe (Berlin 1993), and an exhibition of Chinese painting of the Ming and Qing dynasties (Baden-Baden 1985). His books include
Mi Fu and the Classical Tradition of Chinese Calligraphy (Princeton).
Summary
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts
Chinese workers in the third century BCE created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century CE, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
