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This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst 'detective fiction' is almost universally-accepted to have originated in the nineteenth century, a variety of widely-accepted scholarly narratives of the genre's evolution neglect to connect it with the development of a free press.
The volume traces how police officers, detectives, criminals, and the criminal justice system were discussed in the pages of a variety of magazines and journals, and argues that this affected how the wider nineteenth-century society perceived organised law enforcement and detection. This, in turn, helped to shape detective fiction into the genre that we recognise today. The book also explores how periodicals and newspapers contained forgotten, non-canonical examples of 'detective fiction', and that these texts can help complicate the narrative of the genre's evolution across the mid- to late nineteenth century.
List of contents
List of Figures
Acknowledgements
Introduction: Victorian Policing and Victorian Periodicals
Part 1: Policing and Crime in Periodicals
Chapter 1: Periodical Discourse on Policing: c. 1850-1875
Chapter 2: 'A Condemned Cell with a View': Crime Journalism c. 1750-1880
Part 2: Memoirs and Sensations
Chapter 3: '"Detective" literature, if it may be so called': The Police Officer and the Police Memoir
Chapter 4: 'The Romance of the Detective': Police Memoir Fiction and Sensation Fiction
Part 3: From Scandal to the Strand Magazine
Chapter 5: '...people are naturally distrustful of its future working': The 1877 Detective Scandal in the Victorian Mass Media
Chapter 6: From 'Handsaw' to Holmes: Police Officers and Detectives in Late-Victorian Journalism
Conclusion
Index
About the author
Samuel Saunders holds a PhD in English from Liverpool John Moores University, which he obtained in 2018 after defending a thesis that examined nineteenth-century crime and detective fiction and its connections with Victorian journalism and print culture. He has published research in numerous peer-reviewed journals such as the Journal of Popular Culture, the Wilkie Collins Journal, Law, Crime and History, and the journal of the Open Library of the Humanities, and has co-edited a collection on sidekicks in crime fiction. Samuel has taught English at both LJMU and the Unviersity of Chester, has acted as a guest professor for the Ohio State University, and is a Fellow of the Higher Education Academy (FHEA).
Summary
This book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism.
