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Informationen zum Autor Christopher Hauke (Goldsmiths, University of London, UK) (Edited by) , Ian Alister (Edited by) Klappentext Jung and Film brings together some of the best new writing from both sides of the Atlantic, introducing the use of Jungian ideas in film analyis.Illustrated with examinations of seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, Chris Hauke and Ian Alister, along with an excellent array of contributors, look at how Jungian ideas can help us understand films and the genres to which they belong.The book also includes a glossary to help readers with Jungian terminology. Taking a fresh look at an ever-changing medium, Jung and Film is essential reading for academics and students of analytical psychology, as well as film, media and cultural studies. Zusammenfassung Examines seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, this volume looks at how Jungian ideas can help us understand films and the genres to which they belong. Inhaltsverzeichnis C. Hauke, I. Alister, Introduction. List of films. Acknowledgements. A Jungian Perspective. D. Fredericksen, Jung/Sign/Symbol/Film. L. Lennihan, The Alchemy of Pulp Fiction. P. Berry, The Moving Image, Particular Films. J. Hollwitz, The Grail Quest and Field of Dreams. J. Ryan, Dark City. D. Williams, 'If you Could See what I've Seen with your Eyes...' Post-human Psychology and Blade Runner. J. Izod, 2001 - A Space Odyssey. C. Hauke, 'Let's Get Back to Finding Out who we Are': Men, Unheimlich and Returning Home in The Films of Steven Spielberg. L. Hockley, Studies in Genres and Gender. Film Noir: Archetypes or Stereotypes. M. Dougherty, Love-life: The Use of Films in Analysis in the Interpretation of Gender. J. Beebe, Anima in Film. J. Wyly, 'Gay Sensibility', the Hermaphrodite, and Pedro Almodovar's Films. Glossary.
