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Informationen zum Autor Jonathan Ritter is assistant professor of ethnomusicology at the University of California, Riverside. J. Martin Daughtry is assistant professor of ethnomusicology at New York University. Klappentext Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Zusammenfassung Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Inhaltsverzeichnis Foreword, Gage Averill Introduction, J. Martin Daughtry Part One: Music, the United States, and the Mass Media After 9/11 1. Pop Goes to War, 2001-2004: U.S. Popular Music After 9/11 Reebee Garofalo 2. "America: A Tribute to Heroes": Music, Mourning, and the Unified American Community Kip Pegley and Susan Fast 3. The Sounds of American and Canadian Television News After 9/11: Entoning Horror and Grief, Fear and Anger James Deaville 4. Models of Charity and Spirit: Bruce Springsteen, 9/11, and the War on Terror Bryan Garman 5. Double Voices of Musical Censorship after 9/11 Martin Scherzinger 6. "Have you forgotten?": Darryl Worley and the Musical Politics of Operation Iraqi Freedom Peter Schmelz 7. For alle Menschen? Classical Music and Remembrance After 9/11 Peter Tregear Part Two: Music and 9/11 Beyond the United States 8. Terror in an Andean Key: Peasant Cosmopolitans Interpret 9/11 Jonathan Ritter 9. Exploding Myths in Morocco and Senegal: Sufis Making Music After 9/11 Larry Blumenfeld 10. Corridos of 9/11: Mexican Ballads in Commemorative Practice John McDowell 11. "I'll tell you why we hate you!" Sha'ban 'Abd al-Rahim and Middle Eastern Reactions to 9/11 James Grippo 12. 9/11 and the Politics of Music-Making in Afghanistan Veronica Doubleday ...
