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Informationen zum Autor Nizan Shaked is Associate Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach Klappentext Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c').Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- . Inhaltsverzeichnis Introduction 1 Conceptual Art and identity politics: from the 1960s to the 1990s2 Adrian Piper: the body after conceptualism3 The synthetic proposition: conceptualism as political art4 The political referent in debate: identity, difference, representation5 Institutional gender: from Hans Haacke's Systems Theory to Andrea Fraser's feminist economies A state of passionate detachment: Charles Gaines by way of conclusionIndex
List of contents
Introduction
1. Conceptual Art and identity politics: from the 1960s to the 1990s
2. Adrian Piper: the body after conceptualism
3. The synthetic proposition: conceptualism as political art
4. The political referent in debate: identity, difference, representation
5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economies
A state of passionate detachment: Charles Gaines by way of conclusion
Index
