Fr. 244.80

Performance Cultures As Epistemic Cultures, Volume I - (Re)generating Knowledges in Performance

English · Hardback

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Description

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This book investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.


List of contents










Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges


  1. Building Relations, Engendering Knowledge: Te R¿hia Theatre's SolOthello in Toronto
  2. Ric Knowles

  3. Contesting the Pov¿¿¿ as an Epistemological Mode: History, Form and Performance
  4. Kedar Arun Kulkarni

  5. Kä¿aikk¿ttu as Practice-Based Knowledge
  6. Hanne M. de Bruin
    PART II - (Re)Generating Aesthetic Knowledges

  7. Aesthetic Knowledge and Aesthetic Experience
  8. Erika Fischer-Lichte

  9. What Knowledges Do Dance Viewers Generate?
  10. Susan Leigh Foster

  11. Learning "to be Affected": Attaining "Relational Knowledge" through Interweaving in Acting
  12. Phillip Zarrilli
    PART III - (Re)Generating Spiritual Knowledges

  13. On Being and Unknowing: Moving with an "Other" in Capoeira, Contact Improvisation and Queer Tango
  14. Ann Cooper Albright

  15. Approaching Practices of Acting through Concepts of Daoist Philosophy
  16. Lynette Hunter


  17. Teatr ZAR's Song Theater as Spiritual Knowledge
  18. Maria Shevtsova

  19. Coda: Meditation on Not-Knowing
Christel Weiler
Index


About the author










Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin.
Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin.
Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin.
Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.


Product details

Authors Erika (Free University of Berlin Fischer-Lichte, Erika Jost Fischer-Lichte
Assisted by Erika Fischer-Lichte (Editor), Torsten Jost (Editor), Milos Kosic (Editor), Astrid Schenka (Editor)
Publisher Taylor & Francis Ltd.
 
Languages English
Product format Hardback
Released 07.04.2023
 
EAN 9781032445694
ISBN 978-1-0-3244569-4
No. of pages 238
Series Routledge Advances in Theatre & Performance Studies
Subject Humanities, art, music > Art > Theatre, ballet

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