Fr. 244.80

Performance Cultures As Epistemic Cultures, Volume II - Interweaving Epistemologies

English · Hardback

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Description

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This volume investigates performance cultures as rich and dynamic environments of knowledge practice through which distinctive epistemologies are continuously (re)generated, cultivated, and celebrated.


List of contents










Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - Developing Inter-Epistemic Approaches and Methodologies
Torsten Jost
PART I - Concepts, theories and methods


  1. The Cognitive Empire: Epistemic Injustices and Resurgent Decolonization
  2. Sabelo J. Ndlovu-Gatsheni

  3. Principles of Interweaving Epistemologies
  4. Sundar Sarukkai

  5. Reconstituting the Destituted: How Decolonial and De-Western Interweaving Works
  6. Walter D. Mignolo
    PART II - Analyzing inter-epistemic performances

  7. Confronting the Colonial Matrix of Power: Critical Intersections of Interculturality and Decoloniality in Performance Practice
  8. Rustom Bharucha

  9. Staging Border Epistemologies: The Cross-Cultural Cartographies of an Artwork (Berlin, Galway, Seoul)
  10. Andrej Mir¿ev

  11. Performance as Method: Critical Approaches to Western Episteme
  12. Mägorzata Sugiera
    PART III - Exploring inter-epistemic histories

  13. Complex Smoking: On Brecht, Tobacco and Bourgeois Philosophy
  14. Nicholas Ridout

  15. The Epistemic Politics of Indian Classical Dance
  16. Anurima Banerji

  17. Performance or "Comportamento"? Interweaving the Names and Epistemologies of Performance Art in 1970s Italy
  18. Tancredi Gusman

  19. Epilogue: Decolonial Aesthetics in Theater and Performance - Theatrical Strategies of Delinking
Rustom Bharucha, Walter Mignolo, Torsten Jost and Christel Weiler
Index


About the author










Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin.
Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin.
Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin.
Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.


Product details

Authors Torsten (Freie Universitat Berlin Jost
Assisted by Erika Fischer-Lichte (Editor), Torsten Jost (Editor), Milos Kosic (Editor), Astrid Schenka (Editor)
Publisher Taylor & Francis Ltd.
 
Languages English
Product format Hardback
Released 07.04.2023
 
EAN 9781032445717
ISBN 978-1-0-3244571-7
No. of pages 268
Series Routledge Advances in Theatre & Performance Studies
Subject Humanities, art, music > Art > Theatre, ballet

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