Read more
Informationen zum Autor Harriet Murav Klappentext David Bergelson (1884-1952) emerged as a major literary figure who wrote in Yiddish before WWI. He was one of the founders of the Kiev Kultur-Lige and his work was at the center of the Yiddish-speaking world of the time. He was well known for creating characters who often felt the painful after-effects of the past and the clumsiness of bodies stumbling through the actions of daily life as their familiar worlds crumbled around them. In this contemporary assessment of Bergelson and his fiction, Harriet Murav focuses on untimeliness, anachronism, and warped temporality as an emotional, sensory, existential, and historical background to Bergleson's work and world. Murav grapples with the great modern theorists of time and memory, especially Henri Bergson, Sigmund Freud, and Walter Benjamin, to present Bergelson as an integral part of the philosophical and artistic experiments, political and technological changes, and cultural context of Russian and Yiddish modernism that marked his age. As a comparative and interdisciplinary study of Yiddish literature and Jewish culture, this work adds a new, ethnic dimension to understandings of the turbulent birth of modernism. Zusammenfassung David Bergelson's Strange New World explores the work of one of the most highly regarded Yiddish writers of the 20th and his untimely world of characters who live ahead and behind the times in the Eastern European shtetl. Inhaltsverzeichnis Acknowledgments Note on Transliteration and Translation Introduction Part I: Postscripts and Departures Chapter 1: Congealed Time Chapter 2: The Aftereffect Chapter 3: Taking Leave Part II: Bodies, Things, and Machines Chapter 4: The Glitch Chapter 5: Delay, Desire, and Visuality Part III: A Strange New World Chapter 6: Judgment Deferred Chapter 7: The Execution of Judgment Part IV: Time Cannot Be Mistaken Chapter 8: Socialism's Frozen Time Chapter 9: The Gift of Time Conclusion Bibliography Index ...
