Fr. 236.00

Subversion and Conformity of Literary Collage - Between Cut and Glue

English · Hardback

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Description

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The book fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed.

List of contents

Contents
List of Figures
List of Contributors
Preface
Acknowledgements
Introduction
1. The Long History of Collage: from Early Modern Commonplace Books to Twenty-First-Century Experimental Writing, David Banash
2. ‘Little Forms’ of the Avant-Garde: Walter Benjamin’s Einbahnstraße (One-Way Street, 1928) Sofia Cumming
3. Weaponizing the Cut: William S. Burroughs’s Transmedial Experiments Benjamin J. Heal
4.“Un’appendice sensibile del cervello”: Stelio Maria Martini’s Collage between Neurosis and Sensitivity Dalila Colucci
5. Collage and Late Style Wojciech Drąg
6. “A heuristic of thought itself” – Montage, Writing, Method Heath Valentine
7. Collage with Words and Images or the Empiricist Turn in the Arts Magda Dragu
Index

About the author










Magda Dragu is a is a Technical writer at Rohde & Schwarz Topex, Bucharest and scholar of modernism and the arts. She wrote on various topics in comparative arts (illuminated manuscripts, musicalized fictions and musicalized pictures, and artists with multiple talents).


Summary

The book fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed.

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