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Dreamwork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.
List of contents
1. The Story 2. Groundwork 3. Methods and Names 4. Concept and Elements 5. The Creative Trajectory 6. Auteurship: From DI to DreamWork 7. DreamWork 8. From Draft One to “Instant RunThru” 9. Creative Collaborators 10. Auteurship: A Case Study – “White Fire/Black Fire (Dybbuk)”
About the author
David Zinder is Professor Emeritus of the Theatre Arts Department at Tel Aviv University, actor, internationally renowned actor trainer, author, and theatre director. He has created a unique form of acting training known as ImageWork Training and is an international Master Teacher of the Michael Chekhov Technique. David is a founding member of the Michael Chekhov Association (MICHA), USA, and a member of Michael Chekhov Europe (MCE). The second edition of his book BODY VOICE IMAGINATION: A Training for Actors was published by Routledge in 2002, and subsequently appeared in a a revised and expanded second edition in 2009, entitled BODY VOICE IMAGINATION: ImageWork Training and the Chekhov Technique.
Summary
Dreamwork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.
