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Widely praised and winner of the PEN/Faulkner Award for Fiction among other mentions, Call Me Zebra follows a feisty heroine's idiosyncratic quest to reclaim her past by mining the wisdom of her literary icons -- even as she navigates the murkier myseteries of love.
Named a Best Book by: Entertainment Weekly, Harper's Bazaar, Boston Globe, Fodor's, Fast Company, Refinery29, Nylon, Los Angeles Review of Books, Book Riot, The Millions, Electric Literature, Bitch, Hello Giggles, Literary Hub, Shondaland, Bustle, Brit & Co., Vol. 1 Brooklyn, Read It Forward, Entropy Magazine, Chicago Review of Books, iBooks and Publishers Weekly
Zebra is the last in a line of anarchists, atheists, and autodidacts. Alone and in exile, she leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago.
Books are her only companions--until she meets Ludo. Their connection is magnetic, and fraught. They push and pull across the Mediterranean, wondering if their love--or lust--can free Zebra from her past.
Starring a heroine as quirky as Don Quixote, as brilliant as Virginia Woolf, as worldly as Miranda July, and as spirited as Lady Bird, Call Me Zebra is "hilarious and poignant, painting a magnetic portrait of a young woman you can't help but want to know more about" (Harper's Bazaar).
About the author
AZAREEN VAN DER VLIET OLOOMI is the author of the novels Savage Tongues, Call Me Zebra, and Fra Keeler and the director of the MFA Program in Creative Writing at the University of Notre Dame. She is a National Book Foundation “5 Under 35” honoree and the winner of a 2019 PEN/Faulkner Award, a John Gardner Award, and a 2015 Whiting Award, as well as the recipient of a Fulbright Fellowship and residency fellowships from MacDowell and Ledig House. Her work has appeared in the New York Times, the Paris Review, Guernica, Granta, Bomb, and elsewhere. She lives in Chicago and is the founder of Literatures of Annihilation, Exile and Resistance, a lecture series on the global Middle East that focuses on literature shaped by colonialism, military domination, and state-sanctioned violence.
