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The early modern world was as enigmatic as it was dynamic. New epistemologies and technologies, open controversies about the world and afterworld, encounters with various cultures, and numerous forms of entertainment wetted the appetite for ever-new sensational experiences, an emerging visual language, and different social constellations. Thaumaturgy, the art of making wonder, was the historical term under which many of these forms were subsumed: encompassing everything from magic lanterns to puppets to fireworks, and deliberately mingling the spheres of commercial entertainment, art, and religion. But thaumaturgy was not just an idle pastime but a vital field of cultural and intercultural negotiation. This Element introduces this field and suggests a new form of historiography-media ecology-which focuses on connections, formations, and transformations and takes a global perspective.
List of contents
1. Prologue: 'a most rare vision'; 2. From media history to media ecology; 3. Thaumaturgy: wonder-making; 4. Minds, hands, and heads; 5. Techniques and apparatuses: material traces; 6. Dramatic echoes: the drama of early modern media ecology; 7. Cartographing early modern media ecology and its study; 8. Postscriptum: a history of clouds; Bibliography.
Summary
This Element introduces thaumaturgy, the art of making wonder, encompasses everything from magic lanterns to puppets to fireworks, and deliberately mingling the spheres of commercial entertainment, art, and religion. It also suggests a new form of historiography-media ecology.
