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The book deals with what the author calls the new humanities: a broad and diversified front of orientations, directions, and turns grouped around five major currents: the digital humanities, engaged humanities, cognitive humanities, art-based research, and posthumanities. What links these approaches is their opposition toward the principles of the modern theory of humanistic cognition, which appears to be immaterial, external, impersonal, static, and neutral. Against this model, the new humanities posit a different type of cognition: embodied, penetrating the interior of the studied field, personalized (participatory), active (intervening), and situated (engaged). With this significant change, we proceed from the culture of disinterested observation, founded on the myth of contemplative view of the external world, to the real culture of participatory action, which is reconciled with the perspectivity and partiality of the subject's cognitive actions and which paves the way to reality from within and in its own right.
List of contents
Author's Note - Part One - The Humanities of Yesterday and Today: In a Nutshell and Not without Simplifications - New Humanities in Poland: A Few Subjective Observations, Conjectures, and Refutations - Culture as Verb: Probing the Creativity of Cultural Action - The Other is in Us: Identity in the Times of Mobility (A Few Remarks on the Polish Experience) - Part Two - Toward the Innovative Polish Humanities: Text as a Laboratory: Traditions, Hypotheses, Proposals - Jan Blonski: Personal Hermeneutics - Janusz Slawinski: Structuralism in Action - Bruno Schulz: Art as Cultural Extravagance - Bibliography - Index
About the author
Ryszard Nycz - literary and cultural historian and theorist, Professor of the Jagiellonian University in Cracow, member of the Polish Academy of Sciences and the Polish Academy of Arts and Sciences, editor-in-chief of the bimonthly Teksty Drugie. His works include: Sylwy wspó¿czesne (1984, 1996); Tekstowy s¿wiat (1993, 2000; Bulgarian translation: 2005; Ukrainian translation: 2007), Je¿zyk modernizmu (1997, 2002, 2013; English translation: 2017); Literatura jako trop rzeczywistos¿ci (2001, 2012), Poetyka dos¿wiadczenia (2012).
