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The Futurists produced most conspicuous, creative, and diverse figures of sound in the Polish avant-garde. The book is a comparative study of the Polish Futurists' works presented against the backdrop of European literary practices of the time (Dadaism, Italian and Russian Futurism) and the Polish literary tradition (folk poetry, Young Poland). S´niecikowska examines variations on symbolist "musicality," traces similarities between Polish Futurist word formation and Cubo-Futurist experimentation, compares Dadaist and Futurist concepts of onomatopoeia, analyses applications of Marinetti's "words in freedom." The study also deals with uses of glossolalia and echolalia as well as sound-semantic concepts that employ pure nonsense and parody.
List of contents
List of abbreviations - Introduction - Chapter One "Nebular, milky goblets full of pearls:" Futurism and the "musicality" of Young Poland - Chapter Two Imitating Khlebnikov? The neological current in Polish Futurism - Chapter Three Freedom of sound or phono- semantic riddles? How much Dada is there in Polish Futurism? - Chapter Four "plAY, mY shepherd's pIPE:" Strategies of folklorization in Futurist poetry - Conclusion - Bibliography - Bibliographical note - List of illustrations - Index of names - Index of terms
About the author
Beata S¿niecikowska is a literary scholar and art historian, Associate Professor in the Institute of Literary Research of the Polish Academy of Sciences in Warsaw. Her main research areas are sound studies, intersections of literature and visual arts, transcultural relations between Europe and the Far East.
