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What is there to hope for today? How does hope manifestitself at a time when a linear understanding of the future,of growing prosperity, security, and progress is canceled?How can hope be thought beyond market-driven forms ofworldbuilding? Is there a third approach in which hope asa critical practice opens a path to alternative futures?
After Techno Globalization Pandemic and Kingdom of the Ill,HOPE is the third chapter of the long-term project TECHNOHUMANITIES, exploring the urgent questions of what itmeans to be a global citizen in the present-day dependencybetween ecology, technology, and economy. HOPE bringstogether a wide range of artistic positions from differentgenerations that see the end of future as the start of newbeginnings and an incentive to validate more circular andre-generative practices as a source of wonder and collectivemovement.
List of contents
Front CoverBOOK DESCRIPTIONINDEX VERZEICHNIS INDICEFOREWORDVORWORTPREFAZIONEHOPE: IS THERE NO ALTERNATIVE?HOFFNUNG OHNE ALTERNATIVE?SPERANZA: NON C'È ALTERNATIVA?ARTIFACTUAL HOPEARTEFAKTISCHE HOFFNUNGSPERANZA ARTIFICIALEBEYOND HOPEJENSEITS DER HOFFNUNGOLTRE LA SPERANZAHOPE: THE ART OF QUANTUM STORYTELLINGHOFFNUNG: DIE KUNST DES QUANTENERZÄHLENSHOPE: L'ARTE DEL QUANTUM STORYTELLINGMUSEIONIMPRESSUMBack Cover
Summary
What is there to hope for today? How does hope manifest
itself at a time when a linear understanding of the future,
of growing prosperity, security, and progress is canceled?
How can hope be thought beyond market-driven forms of
worldbuilding? Is there a third approach in which hope as
a critical practice opens a path to alternative futures?
After
Techno Globalization Pandemic
and
Kingdom of the Ill
,
HOPE
is the third chapter of the long-term project
TECHNO
HUMANITIES
, exploring the urgent questions of what it
means to be a global citizen in the present-day dependency
between ecology, technology, and economy.
HOPE
brings
together a wide range of artistic positions from different
generations that see the end of future as the start of new
beginnings and an incentive to validate more circular and
re-generative practices as a source of wonder and collective
movement.
