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Informationen zum Autor Linda Grant is author of four non-fiction books and eight novels. A Fellow of the Royal Society of Literature, she won the Orange Prize for Fiction in 2000, the Lettre Ulysses Prize for Literary Reportage in 2006 and holds honorary doctorates from the University of York and Liverpool John Moores University. The Clothes on Their Backs was shortlisted for the Man Booker Prize in 2008 and went on to win the South Bank Show Award; The Dark Circle was shortlisted for the 2017 Women's Prize for Fiction; A Stranger City won the 2000 Wingate Literary Prize. Linda Grant lives in London. Klappentext The further away anyone was from that block of Ben Yehuda street, the easier it seemed to find a solution to the conflict between Israelis and Palestinians, that stubborn mess in the centre of the Middle East and the more I studied these solutions, the more I thought that they depended for their implementation on a population of table football men, painted in the colours of the two teams: blue and white for the Israelis, green, red and black for the Palestinians. All the international community had to do was to twist the levers and the little players would kick and swing and send the ball into the net, to victory' One block of a Tel Aviv street is the starting point for Linda Grant's exploration of the inner dynamics of Israelis - not the government and its policies, but the people themselves, in all their variety. Iraqi shop-keepers, Teenage soldiers, Mob bosses, Tunisian-born settlers, Russian scientists, and the father of the child victim of a suicide bomber are some of the people she meets. The highly-acclaimed writer, Linda Grant, attempts to try and understand the Israeli situation. 'Although I am not an Israeli, but a Diaspora Jew, I think that it is the eye of the novelist, who coming from the outside, can often see what others do not. Zusammenfassung The highly-acclaimed writer, Linda Grant, attempts to try and understand the Israeli situation. 'Although I am not an Israeli, but a Diaspora Jew, I think that it is the eye of the novelist, who coming from the outside, can often see what others do not....
