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This book recasts Sartrean existentialism through Caribbean philosophies and the broader philosophies of the Global South. Each author's contribution embodies an aspect of creolizing thinking, understood as the articulation of cultural and conceptual hybridity under conditions of eurocentrism, epistemic colonialism, and the legacies of slavery.
List of contents
Souleymane Bachir Diagne, (Columbia University), Preface
Kris Sealey and T Storm Heter, Introduction
Lewis Gordon, (University of Connecticut), Global ExistentialismMichael Monahan, (University of Memphis), Racial Praxis: Black Liberation and the Movement From Series to GroupThomas Meagher, (University of Memphis), Creolized ReflectionCraig Matarrese, (Minnesota State University, Mankato) Jazz Improvisation and Creolizing PhenomenologyNathalie Nya, (John Carroll University), Reversing the Gaze, Sartre's Preface to Fanon's The Wretched of the EarthSybil Cooksey, (New York University), Miles's Smiles: Mid-Century Portraits of Improvised FreedomNathifa Greene, (Gettysburg College), Creolization and ContactJonathan Webber, (Cardiff University) Transcendental Phenomenology Meets Negritude PoetryJames Haile III, (University of Rhode Island), Sartre and Black AestheticsDouglas Ficek, (University of New Haven), Creolization Is a HumanismLawrence Bamikole,(University of the West Indies, Mona) Sartre's Existentialism and the Communal Thesis in Afro-Caribbean PhilosophyHiroaki Seki, (University of Tokyo), Kenzaburo Oe and his Sartrean Postures: A Case Study of Creolization in JapanKimberly S. Engels, (Molloy College), Man as a Useful Passion: The Existential Subject At Home on the EarthPaget Henry, (Brown University), Wilson Harris and the Creolizing of SartreMarieke Mueller, (Aberystwyth University), Sartre, Fanon and Violence: Reading Existentialism through Achille MbembeHady Ba, (Université Cheikh Anta Diop), Sartre's Anti-Colonial PrefacesBado Ndoye (Université Cheikh Anta Diop), Sartre and Senghorian NegritudeIndex
About the author
Edited by T Storm Heter and Kris F. Sealey
