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This volume investigates how Jesuits reflected visually and verbally on the status and functions of the
imago, between the foundation of the order in 1540 and its suppression in 1773, in rhetorical and emblematic treatises, theoretical debates, and embedded in various instances where Jesuit authors and artists implicitely explored the status and functions of images.
About the author
WIETSE DE BOER is Professor of History at Miami University (Ohio). His research is focused on the history of the Italian Counter-Reformation. His recent and current projects explore the intersections between religion and sense experience. Publications on this theme include
Religion and the Senses in Early Modern Europe, co-edited with Christine Göttler.
KARL ENENKEL is Professor of Medieval Latin and Neo-Latin at the University of Münster. Previously he was Professor of Neo-Latin at the University of Leiden. He has published widely on international Humanism, early modern culture, paratexts, literary genres 1300-1600, Neo-Latin emblems, word and image relationships, and the history of scholarship and science.
WALTER MELION is Asa Griggs Candler Professor of Art History at Emory University. He has published extensively on Dutch and Flemish art and art theory of the 16th and 17th centuries, on Jesuit image-theory, on the relation between theology and aesthetics in the early modern period, and on the artist Hendrick Goltzius.
