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This book is about the inner sources of spontaneous creation. It is about where art in the widest sense comes from. It is about why we create and what we learn while doing so. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms. Free Play is directed towards people in any field who want to contact, honour and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured by certain unavoidable facts of life. How it can finally be liberated - how we can be liberated - to speak or sing, write or paint, dance or play, with our own authentic voice. Wise, generous and timeless, it has been a touchstone for creativity since 1990 and it is a book that you will find yourself reaching for again and again in times of need. This 2024 edition includes a new afterword by the author and a foreword by Women''s Prize for Fiction-winner Ruth Ozeki.
About the author
Stephen Nachmanovitch performs and teaches internationally as an improvisational violinist, and at the intersections of performing and multimedia arts, philosophy and ecology. In the 1970s he was a pioneer in free improvisation on violin, viola and electric violin. He has presented masterclasses and workshops at many conservatoires and universities, and has had numerous appearances on radio, television and festivals. He is the author of two books on the creative process: Free Play and The Art of Is. He lives with his family in Virginia.
freeplay.com
Ruth Ozeki is a novelist, filmmaker and Zen Buddhist priest. She is the author of four novels including The Book of Form and Emptiness, which won the Women's Prize for Fiction, and A Tale for the Time Being, which was shortlisted for the Man Booker Prize and translated into 28 languages. Ozeki has also written a short memoir, Timecode of a Face. She is affiliated with the Everyday Zen Foundation and lives in Northampton, Massachusetts, where she teaches creative writing at Smith College and is the Grace Jarcho Ross 1933 Professor of Humanities.
ruthozeki.com
Summary
A foundational text since 1990 and translated into twelve languages, Free Play is a masterful and joyful meditation on how improvisation can be applied to not just art but the art of living - and in doing so unlock boundless creativity
Foreword
A foundational text since 1990 and translated into twelve languages, Free Play is a masterful and joyful meditation on how improvisation can be applied to not just art but the art of living - and in doing so unlock boundless creativity
