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A captivating, nuanced portrait of the life of Véra Nabokov, who dedicated herself to advancing her husband’s writing career, playing a vital role in the creation of his greatest works. Véra Nabokov (1902–1991) was in many ways the epitome of the wife of a great man: keenly aware of her husband’s extraordinary talent, she decided to make his success her ultimate goal, throughout fifty-two years of marriage until his death in 1977. The first reader of his texts, Véra worked as typist and editor. She organized their lives in exile, as they traveled to Berlin, Paris, Switzerland, and, most importantly, the US, where she convinced Vladimir to focus on writing novels in English. She not only controlled the family’s finances and contract negotiations, but also attempted to control his friendships--particularly with women--going so far as to audit his classes. In a rich, sweeping novel, Monika Zgustova immerses us in the daily life of this remarkable couple, offering insights into their complex personal and professional relationships. Véra considered herself an independent woman, but was she really, when her husband took up so much space? And without Véra, could Nabokov have become one of the twentieth century’s greatest writers?
About the author
Monika Zgustova is an award-winning author whose works have been published in more than ten languages. She was born in Prague and studied comparative literature in the United States (University of Illinois and University of Chicago). She then moved to Barcelona, where she writes for
El País, The Nation, and
CounterPunch, among others. As a translator of Czech and Russian literature into Spanish and Catalan—including the writing of Havel, Kundera, Hrabal, Hašek, Dostoyevsky, Akhmatova, Tsvetaeva, and Babel—Zgustova is credited with bringing major twentieth-century writers to Spain. Her book
Dressed for a Dance in the Snow: Women’s Voices from the Gulag (Other Press, 2020) was a
World Literature Today Notable Translation of the Year.
Julie Jones is Professor Emeritus of Spanish at the University of New Orleans. She has published widely on the Latin American writers of the “Boom,” with a focus on Luis Buñuel’s work, in numerous articles for journals such as
Cineaste and
Cinema Journal.
