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This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time.
List of contents
Introduction: Hybridity in Early Modern Art
Ashley Elston and Madeline Rislow
Part 1: Hybrid Media
1. Connecting Human and Divine: Carlo Crivelli’s Hybrid Media
Amanda Hilliam
2. Collaboration and Dissonance in Siena’s Bichi Altarpiece
Ashley Elston
3. Emblems and Hybridity in a Southern German Epitaph Sculpture
Catharine Ingersoll
4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints
Michelle Moseley-Christian
5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries
Larisa Grollemond
Part 2: Hybrid Time
6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages
Kirstin Noreen
7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time
Madeline Rislow
8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari’s Pieve Altarpieces
Sally J. Cornelison
9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism
Christa Irwin
About the author
Ashley Elston is Associate Professor of Art History at Berea College.
Madeline Rislow is Associate Professor and Director of Art History, School of Fine Arts, Missouri Western State University.
Summary
This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time.
