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Subject of Violence - The Song of Roland and the Birth of the State

English · Hardback

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Informationen zum Autor PETER HAIDU is Professor of French at UCLA. Klappentext Howard BlochHaidu argues that the 12th-century Song of Roland played an essential role in the creation of the nation-state, in that the narrative transforms the independent and violent warriors of the feudal period into the subordinate instruments of the nation-state by enforcing on them the subjection to the rule of monarchy. Zusammenfassung Proposes a provocative new reading of the medieval French Song of Roland and its role in changing a world of violent independent warriors into the more contemporary world of citizens subjugated to the state. A study of signal importance to literary and historical scholarship of the Song and of the birth of modern Europe. Inhaltsverzeichnis Acknowledgments Introduction Violence: Modern Perspectives on the Medieval and the Modern 1. The Semiotization of Death: Open Text or Closed? 2. THe Gaze of the Other The Sociological Presentation of the Self The Intertextuality of the Peerage 3. Excursus I: Aesthetics, Economics, Politics Beauty, Value, Violence The Noble, the Knight, the Peasant The Ideology of Knighthood 4. The Subsystem of the Professional Warrior: Courage, Contradiction, Irascibility Ideological Value (I): The Constitution and Destitution of Subjects Ideological Value (II): From Subject to Traitor? Structure of Structures 5. The Destinator's Multiple Roles: Syncretism or Contradiction? The Culpable Guarantor From Individual to Role 6. Excursus II: The Play of Absence and Presence in Medieval Kingship Carles li reis,... ...nostre emperere magnes Reis and Emperere Textualized 7. Funerary Rituals The Unreintegrated Mourner The Death of Aude, or the Refusal of Exchange The Transformative Performance 8. Textual Coherence and the Dialectics of Ideology Textual Coherence: The Narrative Narrative Programs Actants 9. Ganelon's Trial, or the Monarch's Revolution The Actorial Level: Inexorable Structure The Actantial Distribution 10. Conclusion The Chanson Ends with the Indeterminacy of Non-Exclusive Disjunction The Chanson Produces Limited and Specifiable Significations The Subject of Violence Nomadic Violence, Sedentary Economics, and the Birth of the State Notes Bibliography General Index Index of Proper Nouns Index of Foreign Terms and Phrases ...

Product details

Authors Peter Haidu
Publisher Indiana University Press
 
Languages English
Product format Hardback
Released 22.08.1993
 
EAN 9780253305480
ISBN 978-0-253-30548-0
No. of pages 272
Subject Humanities, art, music > History > Antiquity

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