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[headline]This field-defining collection maps key intersections between sound studies and literary studies Collections on sound studies have seldom explored the vexed relationship between literature - a medium largely defined by its silence - and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars. [bios]Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of
Victorian Photography and Literary Nostalgia (2004) and
Moving Images: Nineteenth-Century Reading and Screen Practices (2013), co-author of
Dreams and Modernity: A Cultural History (2013) and co-editor of the forthcoming collection
Writing the Global Riot: Literature in a Time of Crisis (2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author of the forthcoming
Modern Character: 1888-1905 (2023) and
Prison Writing in the Twentieth Century: A Literary Guide (Edinburgh University Press, 2023).
About the author
Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian
Photography and Literary Nostalgia (Oxford University Press, 2004),
Moving Images. Nineteenth-Century Reading and Screen Practices (Edinburgh University Press, 2013), and co-author of
Dreams and Modernity. A Cultural History (Routledge, 2013). She is the co-editor of a number of books and special journal issues, most recently
Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film (Edinburgh University Press, 2017) and
Writing the Global Riot (Oxford University Press, 2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author, previously, of
Literature and Race in Los Angeles (Cambridge University Press, 2001),
Multimedia Modernism (Cambridge University Press, 2009),
Faulkner's Media Romance (Oxford University Press, 2017) and
Todd Solondz (Northern Illinois University Press, 2019), and of the forthcoming
Modern Character: 1888-1905 (Oxford University Press, 2023) and
Twentieth-Century Prison Writing: A Literary Guide (Edinburgh University Press, 2023).
Summary
This field-defining collection maps key intersections between sound studies and literary studies
