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Informationen zum Autor Anastacia-Renee is an award-winning cross-genre writer, educator, interdisciplinary artist, TEDx speaker, and podcaster. She is the author of (v.), Forget It, and Answer(Me), and her work has been anthologized in a number of literary outlets, including Furious Flower: Seeding the Future of African American Poetry, Spirited Stone, Lessons from Kubotas Garden, Seismic, Seattle City of Literature, Foglifter, Cascadia Magazine, Pinwheel, The Fight and the Fiddle, Glow, The A-Line, Ms. Magazine, Spark, Obsidian Literature and Arts in the African Diaspora, Crab Creek Review, Alta, and Catapult. She and has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Mineral School, Hypatia in the Woods, and the New Orleans Writers Residency. She lives in Seattle, Washington. Klappentext "In this bold hybrid collection of poetry and micro-flash fiction, the award-winning, interdisciplinary writer, and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town and multiple universes in the middle of nowhere? What if god were a Black woman? What if there were other universes, and in each universe other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god was placed here on our earth? These are just a few of the questions Anastacia-Reneâe asks in this daring and mind-bending hybrid collection. A compelling blend of poetry, micro-flash fiction, and sci-fi Afrofuturism with a prose storyline and characters that connect through family, time, and place. Anastacia-Reneâe paints world(s) rich with wonder and and the paranormal as she peers into the lives of the everyday people and the spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Hers is a universe of striking variety-monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all-as well as community and connectedness. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality, about the things we invoke conjure and rely on to maintain our unwavering joy as we move through life. Anastacia-Reneâe's power lies in her spellbinding storytelling-her ability to bring forth lovingly rendered characters captured in powerful brief bursts of lyrical poetry, her ability to build worlds, within worlds and the ways in which she dares us to fully love ourselves and see each other in all our complexity"-- Zusammenfassung In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere? And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth? These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness. With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on...
