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"A traveling salesman with little formal education, Max Hunter gravitated to song catching and ballad hunting while on business trips in the Ozarks. Hunter recorded nearly 1600 traditional songs by more than 200 singers from the mid-1950s through the mid-1970s, all the while focused on preserving the music in its unaltered form. Sarah Jane Nelson chronicles Hunter's song-collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter's own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values"--
List of contents
Foreword: The Singer in Me
Robert CochranPreface
Acknowledgments
Introduction: Max Hunter and the Ballad Field
- Singing on the Way to Church
- A Traveling Salesman in Eureka<>
- Rules of Collecting and How Hunter Got His Songs
- The Child Ballads and Other Bounty
- Singing Grandmas and the Musical Tribes of Stone County
- Circle of Friends
- The Importance of Columbia
- More Than a Hobby
- Max Hunter’s Map of the Ozarks
- Max Hunter and the Festival Circuit
- One Eye on the Past and One on the Future
Notes Selected Bibliography
Index
About the author
Sarah Jane Nelson is a writer and musical performer. She has written on music for
Old-Time Herald,
Ozarks Watch,
Fiddlers Magazine, and other publications.
