Fr. 156.00

A Guide to Post-classical Narration - The Future of Film Storytelling

English · Hardback

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Zusatztext Eleftheria Thanouli’s book is notable for employing formalist theory to delineate the distinctive traits of the post-classical mode of narration. Yet, this is not an abstract treatise on film narratology, for each chapter is infused with numerous concise and insightful case studies of films ranging from Requiem for a Dream to Once Upon a Time in Hollywood , ending with a comparative study of the author’s and David Bordwell’s different formal analyses of Dunkirk . This book’s balance of theory and examples, as well as the clarity of Thanouli’s writing, makes it an ideal guide to the narrational strategies and tactics of post-classical cinema. Informationen zum Autor Eleftheria Thanouli is Professor in Film Theory at Aristotle University of Thessaloniki, Greece, and author of Post-classical Cinema: an International Poetics of Film Narration (2009), Wag the Dog: a Study on Film and Reality in the Digital Age (Bloomsbury, 2013) and History and Film: A Tale of Two Disciplines (Bloomsbury, 2018). Klappentext In A Guide to Post-classical Narration , Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. From Lars von Trier's Europa (1991) to Zack Snyder's Army of the Dead (2021) and Baz Luhrmann's Elvis (2022), the post-classical narration has shown not only impressive resilience but also tremendous creativity in transforming its key formal principles, such as fragmented and multi-thread plotlines, hypermediated realism, parody, graphic frame construction, complex chronology, and intense self-consciousness. Through the meticulous textual analysis of the post-classical works, Eleftheria Thanouli addresses head-on a series of methodological questions in narrative research and brings the tradition of historical poetics back into the limelight. By reinforcing her previous work with numerous new films as well as more nuanced narrative terms and concepts, she not only strengthens her position on post-classical cinema but also establishes the relevance of formalist analysis in the study of film today. Vorwort A new and rigorous exploration of post-classical cinematic narration, prioritizing current examples and re-evaluating its development away from linear storytelling and its growing innovations in film form and narrative conventions. Zusammenfassung In A Guide to Post-classical Narration , Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. F...

Product details

Authors Eleftheria Thanouli
Publisher Bloomsbury Academic
 
Languages English
Product format Hardback
Released 14.12.2023
 
EAN 9781501393068
ISBN 978-1-5013-9306-8
No. of pages 288
Dimensions 152 mm x 232 mm x 22 mm
Subjects Humanities, art, music > Art > Theatre, ballet
Non-fiction book > Music, film, theatre

21st Century, PERFORMING ARTS / Film / History & Criticism, Early 21st century c 2000 to c 2050, Film Theory & Criticism, Film history, theory or criticism

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