Fr. 34.50

Scene Change - Why Today’s Nonprofit Arts Organizations Have to Stop Producing Art and Start Producing Impact

English · Paperback / Softback

Shipping usually within 3 to 5 weeks

Description

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'Alan is a visionary who believes that theatre changes lives for the better, and who creates teams who make sure that it does.' Russell Willis Taylor, Former CEO, National Arts Strategies

Nonprofit arts organizations have to place nonprofit ahead of arts in order to thrive in these pre-post-pandemic days. Most currently don’t. Scene change is a phrase tied to the arts when discussing a literal change from one scene in a play to another, eliciting a new time, place, and situation. Here, however, it refers to actions made at this pivotal moment within the entire sector, where the rules that went into play over half a century ago can no longer apply for the arts to serve their nonprofit purpose. That charitable purpose – to help those who need the help – cannot exist in an environment of privilege, exclusivity, and the subjective concept of excellence. Excellence does not put food on a hungry person’s table, if they even have a table. In his brilliantly unpretentious, snarky, and hilarious style, Alan Harrison pulls no punches. He identifies and addresses elitism, defines and defuses toxicity, and provides outlines for success, including a hopeful prediction for the future. This book also provides context for the pinball journeys of a 30-year adventure, leading nonprofit arts organizations in America – warts and all.

About the author










Alan Harrison is a writer, father, performer, nonprofit executive, artist, and published author (in no particular order). For the past 30 years, he has led, produced, directed, promoted, raised money for, starred and failed in over 300 theatrical productions on and Off-Broadway and at prestigious (and not so prestigious) nonprofit arts organizations across the country. He’s also a two-time Jeopardy! champion so, you know, there’s that. The arts invoke passion (mostly from artists), but nonprofit arts are only successful when they result in measurably positive change among those that need it most. When a nonprofit’s donors are also its recipients, then its mission devolves into meaningless puffery, flapdoodle, and codswallop.

Summary

Donors donate so donors attend. That alone has doomed the nonprofit arts to elitist irrelevance. Using this book, you can make your community a better place to live.

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