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Informationen zum Autor Michel Faber is the award-winning author of seven novels, three short-story collections and a poetry book. In addition to the Whitbread-shortlisted Under the Skin , he is the author of the highly acclaimed The Crimson Petal and the White and The Book of Strange New Things , which was shortlisted for the Arthur C. Clarke Award and won the Saltire Book of the Year Award. Born in Holland, brought up in Australia, he now lives in the UK. Klappentext There are countless books on music with much analysis given to musicians, bands, eras and genres. But rarely does a book delve into what's going on inside us when we listen.Michel Faber explores two big questions: how do we listen to music and why do we listen to music? He considers a range of factors, which includes age, illness, the notion of ?cool', the dichotomy between ?good' and ?bad' taste and much more. Vorwort An enlightening, thoughtful and witty exploration into how and why we listen to music, from the award-winning author Michel Faber Zusammenfassung 'I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind.' There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how we listen to music and why we listen to music. To answer these he considers biology, age, illness, the notion of 'cool', commerce, the dichotomy between 'good' and 'bad' taste and, through extensive interviews with musicians, unlocks some surprising answers. From the award-winning author of The Crimson Petal and the White and Under the Skin , this curious and celebratory book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world. ...
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By turns discursive, celebratory and reflective . . . a beautifully written paean to music, examining the role that it plays in our lives and what it has meant to Faber himself. He is no snob, but no indulgent populist, either. Instead, he has written the best book of its type since Alex Ross's The Rest Is Noise Observer
